Īt some point between 20, a Spiral ritual known as the Great Twisting was attempted. However, he passed away from a stroke before he could be consumed. Starting in July 2003, The Distortion also terrorised Marcus McKenzie's father, Paul McKenzie. This continued all through his adult life until he was finally consumed in 2018. The Distortion took many victims over the course of their existence, including one Marcus McKenzie, who was followed by menacing doors that appeared in impossible places starting in his early childhood. The Distortion was good friends with Gabriel, another avatar of the Spiral, who noted that they were not like other people and that having a name would greatly confuse them. ![]() Historyįor as long as there has been time, The Distortion has existed. The reception is tasteful and is decorated with ferns. The floors of the hotel are carpeted, and while some walls are papered in the same spiral-patterned wallpaper as Helen's corridors, others are painted. The hotel can radically change its structure and location in moments, making it impossible to navigate. Unlike the doors or corridors the hotel is a further manifestation of herself rather than an extension or "limb", but Helen can still appear inside the hotel and engage with her surroundings. Helen becomes a domain in the post- change world that takes the appearance of a hotel. As with Michael, Helen's hands can become sharp and distorted and her laugh has an otherworldly echo. Her preferred method of causing fear and uncertainty is gaslighting, but she will threaten violence when this proves ineffective or when her deception might be discovered. After this shift, Helen presents herself as a friendly, helpful woman who smiles widely and speaks in a cheery voice, but takes on a colder and more sardonic tone when speaking with John in private. While she is initially withdrawn and unsure of her new identity, as time passes she seems to grow more confident in herself and her ability to deceive. When The Distortion exists as Helen, she is a woman of unknown appearance who uses she/her pronouns exclusively. Michael views human fear and uncertainty as forms of entertainment in addition to nourishment and will threaten or attack individuals with little provocation. Although he refers to himself as "the throat of delusion incarnate", it does not seem prone to lying to those it does not take as victims and instead chooses to obscure or distort the truth. Michael rejects the identity imposed onto it and greatly prefers to be seen as a concept rather than a person. Michael's laugh has an otherworldly echo, and those who think about him for too long feel strange in the head. When seen in reflections or through warped glass, Michael appears distinctly inhuman with a thin, limp body and pointed hands the size of its torso. His hair is blonde and forms ringlets that come down to his shoulders. Michael is a very tall man, approximately 6.5 feet, with a round face. ![]() MichaelĪfter the failure of the Great Twisting, The Distortion begins existing as Michael, who uses he/him and it/its pronouns. Those who viewed the sculpture suffered from intense migraines. A clay sculpture of The Distortion made by Gabriel depicted them as an intricate arrangement of thin, sharp lines that angled off from each other without connecting, but that when viewed for a period of time would shift and resolve into a door. On the walls hung electric lamps spaced approximately ten feet apart, as well as paintings and photographs of the corridor viewed from strange angles and the occasional mirror.ĭuring the time they existed as the doors, they used they/them and he/him pronouns. The colours of the wallpaper, carpet, and rug were mutable and would shift over time. The corridors were carpeted and had a long rug which ran down the middle, and walls were papered over in a swirling pattern. The door could appear in any variety of ways but most commonly was plain and painted a shade of yellow. The corridors were not bound by the laws of physics and could be entered even when the door should have opened into empty air. Prior to the failure of the Great Twisting, The Distortion appeared as a door that led to a series of windowless corridors. They keep this nature hidden as part of their deception and it is unclear whether there is a specific motivation behind their actions. ![]() They represent the fear that comes from gaslighting and manipulation, and in particular the fear caused by being uncertain whether one's own judgements of a person, idea, or situation can be trusted. The Distortion’s appearance and identity is flexible in nature.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |